Cosway's Corner
Column Archives
 
2010
 
Ted Hogan/86
 
2009
 
Eaton's catalogue/85
 
Home movies/84
 
Food packaging/83
 
Looking at eyesight/82
 
Obsolete museum/81
 
Family Tree Part 2/80
 
2008
 
Family Tree Part 1/79
 
Historic Ontario jails/78
 
Tourism twists/77
 
:Lucy Montgomery/76
 
Washing & drying/75
 
Niagara daredevils/74
 
2007
 
Newspapers/73
 
Edison recording/72
 
Hickory Hackers/71
 
Memory Junction/70
 
The Distillery/69
 
Ontario taxi history/68
 
2006
 
My uncle the WW1 vet/67
 
Drive-in theatres/66
 
The ragman/65
 
Poker history/65
 
Cosway's Corner - Amrbose J. Small - big mystery
 
Ambrose J. Small's legacy: theatres and a Cold Case
 
By John Cosway
Ambrose J. Small is no stranger to Canada's cold case files.
 
The self-made millionaire theatre impresario went missing without a trace just over 90 years ago, a day after he sold seven Ontario theatres and numerous other theatre holdings for $1.7 million.
 
We can safely say Small, who was 52 when he vanished in downtown Toronto on Dec. 2, 1919, is dead. The when, where, why, how and whodunit remain a mystery.
 
Small may be long gone, but some of the Ontario theatres he built or bought during his meteoric rise as a theatre impresario remain to entertain thousands annually with a mix of professional and amateur live theatre, concerts and films.
 
The Ambrose Joseph Small story is a jumbled web of money, show business, gambling, alleged swindling, womanizing and a childless marriage in Rosedale, so rumours of the why in his disappearance and apparent murder have been numerous.
 
A jealous wife? A disgruntled business associate? Mobsters? Thieves off the street?
 
Dec. 2, 1919, was a sunny day. With a $1 million cheque from Trans-Canada Theatres Ltd., deposited and $700,00 more due within five years, Small reportedly had $100,000 in cash on him when he lunched with his wife before meeting with his lawyer.
 
The lawyer, F. W. M. Flock, told police he last saw Small at his office in the Grand Opera House theatre on Adelaide Street West at 5:30 p.m. Same-day sightings of Small in Toronto and London were dead-ends and a $50,000 reward was never claimed.
 
The mustachioed, blue-eyed man in the dark tweed suit, soft felt hat and dark overcoat with a velvet collar, had simply vanished. Just like Jimmy Hoffa.
 
Small wasn't a big man, in height or weight. Stood about five-foot-six, weighed about 135 pounds. But he always had big ideas when it came to entertaining the masses in lavish theatres he built or bought.
 
Historians say the former newsboy worked in his father's hotel-saloon in Toronto as a teenager before branching into live theatre odds jobs and then into management.
 
A 1921 New York Times story said the self-made, childless millionaire was worth about $12 million when he vanished.
 
There were all kinds of theories. One was he left everything behind, including Theresa Kormann, his wife of 17 years, to start a new life.
 
The "new life" theory gained support when Harvey Blackstone, the famous magician, signed an affidavit saying: "On April 8th, 1920, I saw Amby playing roulette in a gambling casino in Juarez, Mexico."
 
Small, born Jan. 11, 1866, in Bradford, Upper Canada, was legally declared dead in 1923. His body was never found.
 
Love him or loath him, Small's legacy 90 years later includes a lasting link to live professional and amateur theatre in Ontario. Plus a ghost or two.
 
Most of Small's theatres were grand, in style and name.
 
The Toronto Grand Opera House on Adelaide Street West opened in 1874 and was the pride of the city when destroyed by a fatal fire five years later that killed a carpenter, his wife and five-year-old daughter.
 
The 1,750-seat theatre, owned by Alexander Manning, was rebuilt and Small bought it in 1903, apparently adding a secret, smaller office where he reportedly dallied with numerous mistresses.
 
Sold by Small in 1919, the Grand Opera House entertained thousands each year until it was demolished in 1927. The 68-storey Scotia Plaza stands there now, with a small nearby lane called Grand Opera Lane telling the tale of the previous tenant.
 
Before demolition began, police asked wreckers to be on the lookout for any evidence of Small's body. Nothing was found.
 
The 1,100-seat Grand Opera House on Richmond Street in London was also searched thoroughly by police after it was suggested Small's body was incinerated in the theatre's furnace. Nothing was found, but ghostly incidents were reported for decades.
 
"Many believe that Mr. Small's ghost still keeps a benevolent eye on his beloved theatre," says the London theatre's online history notes.
 
The London theatre, an historic site, was built by Small and Colonel C.J. Whitney of Detroit. It opened Sept. 9, 1901. Small was actively involved in the operation of the
theatre until the day it was sold to Trans-Canada Theatres.
 
Famous Players purchased it in 1925 and movies were screened there until 1933, when it was sold to London Little Theatre. In 1977, it underwent a $5 million facelift, reopened in 1978 and now enters a new decade as the 839-seat Grand Theatre, with a hectic professional regional theatre schedule.
 
Before and after the movie years, the theatre saw the likes of W.C. Fields, Sidney Poitier, Jessica Tandy, Leonard Nimoy and Donald O'Connor perform on stage.
 
Another one of Small's former theatres is the 776-seat Grand Theatre in Kingston, built in 1879 and since pampered with four major facelifts. The most recent extreme makeover was a three-year renovation completed in 2008.
 
The theatre has a fascinating history. It began in 1879 at Martin's Opera House, built by local businessman William C. Martin. It thrived for just under 20 years, with operas, band concerts, minstrel shows and celebrities like Oscar Wilde.
 
Then, on Dec. 6, 1898, it burned to the ground.
 
That would have been the end of the story if not for Small and E.J. Barker Pense. They rebuilt the theatre and it opened Jan. 15,1902. Renamed the Grand Opera House, the show went on with Al Jolson, Harry Houdini, Sarah Bernhardt and other stars gracing the stage.
 
The Grand became a movie theatre in 1938 when purchased by Famous Players. Movies were screened until 1961. When a new owner planned to demolish the theatre, a citizen's group successfully campaigned to have the city buy the building.
 
Peterborough also has ties to the Ambrose J. Small mystery - the 1,500-seat Grand Opera House on George Street, launched Nov. 12, 1876. Small bought it in March of 1919, just nine months before he sold his holdings and vanished. It was demolished in 1939.
 
Small's surviving theatres and a handful of other historic theatres in the province speak volumes about the dedication of supporters. They know once a theatre is gone, it is gone.
 
The 91-year-old Regent in Picton, the 80-year-old Capitol in Port Hope, the Grands in London and Kingston and others remain vibrant thanks to energetic community groups and volunteers intent on preserving a way of life that dates back to the late 1800s.
 
The landmark 350-seat Regent on Main Street in Picton, for example, has been run by the non-profit Regent Theatre Foundation since 1994. The Edwardian theatre has been designated an historical building.
 
The same can be said for Port Hope and its Capitol Theatre, opened on Aug. 15, 1930. as an "atmospheric" movie theatre specifically designed for the new "talkies."
 
The Capitol thrives today with a mix of live theatre, concerts and movies.
 
Meanwhile, Small's fate aside, he remains a big draw for authors, moviemakers, theatregoers, radio drama producers and cold case mystery buffs.
 
Not too shabby for a gambling man who cheated on his wife, reportedly swindled business associates and couldn't self-produce a theatre production worthy of an audience.
 
 
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